In 2019 I saw the effects of man-made climate change with my own eyes.
It was a scorching 40°C outside, well above the usually mild June temperatures of the Ligurian Riviera. The air was blistering hot, like the devil’s breath. The pitiful shrubs and the wilted flowerbeds on the sidewalk reminded me of something from a bygone era, like fossilised remains of a poor urban planning from another century. The few and far-between palms on the boulevard provided no shade at all. An elderly lady fainted a few metres from me, collapsing lifeless on the ground.
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Introduction to the Critical and Interdisciplinary Study of Religion 101: A work in progress.
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We are eminently social primates highly susceptible to power dynamics, individual status, and social hierarchies, to the point that we spend a considerable amount of our time and resources in obtaining prestige goods, following charismatic individuals, and accessing or owning places deemed special, sacred, or relevant by our in-group. If you don’t believe me, just have a look at all the pop items auctioned for jaw-dropping sums of money, from vintage comic books to sport and cinema paraphernalia. In 2003, for instance, comic book artist and creator Todd McFarlane bought baseball player Mark McGwire's 70th home run ball from 1998 for $3 million. Today, Golden Era comic books in good conditions are worth millions of dollars.
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Human cultures are neural environments extended throughout time and space. Cultures reach out to the ancestors. They explain the origins of everything. Thunders, earthquakes, life, death. They connect the most remote past with the future. And in the process, they provide meaning. Cultures make sense of all that happens. In the skies up above, on earth down below. Within us, between us, among us. Our similarities, our differences, our emotions, our thoughts. Everything is culture, and culture is everything.
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Last November – which in the current predicament seems like a lifetime away – my wife and I went to the Last Supper in Pompeii exhibition at the Ashmolean Museum, Oxford. The temporary exhibition, which closed on 12 January 2020, “include[d] about 300 objects loaned by Naples and Pompeii, many of which have never left Italy before” (Brown 2019). The exhibition gave us the unprecedented opportunity to see in person some of the most breathtaking remains ever discovered in the history of Roman archaeology.
However, during our visit we spotted a baffling passage in the caption of one terra sigillata pottery showcase (8.1).
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You know the drill. You went to the movies to watch the latest installment or the much talked about reboot of your favourite horror/thriller series. You read the interviews, you heard the podcasts, you checked some quite promising non-spoiler reviews. This time it really looked like the new movie could be a lot of fun. All you hoped for was a breath of fresh air, and then… meh. Nothing. Been there, done that. Déjà vu. Just more of the same.
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We are made of the same stuff stories are made of.
Stories are a reflection of ourselves, for better or worse. An aspiration, a model, an inspiration, a cautionary tale. Everything is a story - and stories are everything. Stories have a tangible neurophysiological effect, as they alter the neurotransmitters in our brains and subtly influence our moods almost unbeknownst to us. We cannot live without stories, without scripts, without schemata. We constantly hear the little voice in our head telling stories about us and for us every single moment of our life. You are probably hearing my post read out loud in your head as a story right now.
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